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Death's Insta

by Boroky

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  • Full Digital Discography

    Get all 11 Boroky releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of AI (Animal Intelligence), DYHAC (Do You Have A Car?), DYHAC (Do You Have A Car?), DNA Kisses, Blush, BurgerbunmobileBRRROOOOMMM!!!, Death's Insta, There'll Be Feasting For Women In Valhalla, and 3 more. , and , .

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  • Death's Insta
    Compact Disc (CD) + Digital Album

    Comes shrink-wrapped and with a lovely poster-booklet with all the lyrics messily written out in my handwriting.

    Includes unlimited streaming of Death's Insta via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Plesiosaur 03:57
freeze me is this the real thing? i’ve felt good before but not like this finally this is too much fun we’re having too much fun freedom! freedom! free me wrap me in your tongue the tiny flame that engulfs the earth finally this is too much fun we’re having too much fun freedom! freedom!
2.
Window Scene 01:52
your friend, so stoned their eyes look shut, is slumped before a television you look out the window and understand why they can’t leave: through the glass, everything is evil a soup kitchen volunteer spits in the face of a hungry woman an old lady stands in front of Parliament with a sign protesting a new coal mine a car pulls up and two large men get out and convey her away she kicks helplessly in their arms as a woman in a beautiful green dress nears him on the street, a man looks her up and down, smirking openly they are all terribly afraid so are you twisting fire, make me higher! i’m already gone
3.
i’ve met strangers stranger that you but none as drawn to death or driven to harm and the happiest look i ever saw on your beautiful face was cataclysmic glee i thought, it’s as if you wanna die with me as if we’re going to die as if you’re gonna die with me as if we’re going to die the less you have, the more you need it the poor are as greedy as the rich i’m not saying we’re all the same just in different ways we’re equally desperate and you say that perfectly with the smile of a hungry dog as if you wanna die with me as if we’re going to die making friends with death is so important but you together makes me jealous who do you want more? you’ve no choice… well if you wanna smile with me if you want me to smile hell, i’m gonna smile with you as if we’re going to die as if i’m gonna die with you as if we’re going to die as if you’re gonna die with me Twisting Fire, make me higher! I’m already gone
4.
it’s funny knowing you have knots in your thinking thoughts that would naturally follow others but that are compulsively jerked away head is glued shut in places break them up make so many parts and cracks a whole like pointillation a complex dandelion a no no-gravity flower break me i am there, break me i am there, break me i am there break me i am there, break me i am there, break me i am there i’m a bleeding tree cauterise it make my sap flow tru strum the gum from my strum the gum from my strum the gum from my strum the gum from my fronds strum the gum from my strum the gum from my strum the gum from my strum the gum from my fronds break me i am there, break me i am there, break me i am there break me i am there, break me i am there, break me i am there all i want ’s for you to say four words i could never think solve every problem solve everything
5.
Lophiiformes 04:32
In certain species, male Angler Fish have a parasitic relationship with the females. The male, far smaller, bites into the side of the female and excretes a substance that dissolves the male’s mouth parts and the female’s skin, fusing them together so that the male becomes part of the female’s body, sustained by her blood. The female benefits by ensuring that a male will be there to fertilise the eggs. The eggs manifest as a transluscent sheet, floating ine water for the male to shoot at. Multiple males may attach theirselves to a single female. One female was found with eight males attached.
6.
make a choice you’ve been given the tools what’s that voice in your head making rules? it’s your voice work together now greet the noise work together now two voices both yours someone give me objective picture someone give me objective picture all there is is sights and sounds and pain of understanding nothing knowing i should knowing i’m bad for not i am learning quickly learning learning to be good what is happening? –back of my head feels swollen and swollen and numb and eyes are closing i am learning i learn quickly not to shut down there are questions to be asked about the orders noble tiler noble tiler tending to her squares where she slips there’s a finger mark forever i am learning i am learning it’s ok to go for a bit many go for a bit go all the time i am still need learning keep learning one one day will understand that no one understand just need illusion so not broken like me i am learning still much learning many broken - maybe better only ones not fully blind someone hold me please just hold me knowing how i feel knowing no one know how i feel knowing just need to be held just like everybody else
7.
Angler Fish 04:48
love me love me down here lovely depths no one harm me every lover hopes no one every lover hosts warmest woman true art diving for your pearl why not why not take my hand walk until we come
8.
Dollys 05:16
kill me it’s ok trust me it’s fine love me forever we’ll start it tonight you’re not good enough you’re not good enough you’re not good enough you’re not good enough you’re not good enough lonely and scared be careful to care for your loved ones your cool streak you’re almost allowed you’re not good enough you’re not good enough you’re not good enough you’re not good enough you’re not good enough i don’t understand i don’t understand sing to your dolls they will always be there
9.
Free from the house, you see the soup kitchen volunteer perform the spitting motion again. You realise he was just nodding vigorously to music playing from his phone. He is doing it repeatedly now. The car is still in front of Parliament and the woman can be seen inside, laughing and cuddling the two large men. They are her cheeky sons. The woman in the green dress is embracing the smirking man. He is her partner and made her the dress as a birthday present. The smirk was a jest which failed to mask his adoration.
10.
Hey! Where are you now? How am I involved? maybe it’s time i said thanks i’m almost alone in my skin maybe it’s time that my banks were broken they’ve too long kept this river in so let the cloudy water fill your mouth it’s me, kissing you hello free but Hey! Where are you now? How am I involved? we are all submersible jasmine cherry ripe, remember? my tea of tears tasted like blood from the attic, a dusty, wooden motion of the sea (what do i wanna hear? i’m deaf to my own imagination what do i wanna feel? i’m in love with my own imagination what do i wanna fear? i’m in dept to my own imagination i can’t) Hey! Where are you now? How am I involved? surely the end brings something better.. maybe i’ll wake up on silent shores.. but my skin won’t prickle at the cold and i’ll walk and i’ll walk heart questioning nothing and i will walk and i will walk Hey! Where are you now? How am I involved? i thought i heard someone call my name thought i heard someone call my name i heard someone call my name heard someone call my name someone call my name call my name my name name name name name
11.
Cure Me 05:10
you’ve got me weak as a ragdoll hold me in your powerful arms i submit you’re too great for me cure me cure me cure me there must be some medication to make me start thinking right (shut up) it’s more like making friends unknown territory so familiar cure me cure me cure me now we’ve done a whole lot of loving together and apart so many eyes and lips and smells and gentle fingers cure me cure me cure me now you know your blanket’s exhausting it’s all i can do to keep singing i submit take me inside yourself cure me cure me cure me now

about

Firstly, the first track fo the album, Paradisitis, is currently unavailable because it is undergoing surgery. It'll be back at some point. Really sorry to those for whom this is a loss. Now here's the usual stuff.

I wrote, recorded, produced and mixed this album over six intense months in 2017. It was the most demanding solo project I’d ever engaged in, partly because I was doing everything myself, which is a lot of work for fifty minutes of music, and playing new instruments (I knew very little about audio engineering and couldn’t play piano or drums when I started writing these songs, at the piano) but also because my mental health was bad. Generally, I was struggling with the most basic life-tasks, but sometimes I would spend four hours working on the music without pause and it would feel completely effortless. I’d be focused and blissfully unaware of all other things.

Those moments helped me get back on my feet with the rest of life’s requirements. I also think the process helped me re-learn to play, as in the way kids play, and the astonishing joy and importance of that kind of activity. I would roll around on the floor and make all kinds of noises. At the time I referred to myself internally as myselves, or “us” (recently my identity has become more unified) and had done so for many years. I felt like there were tens of people swirling around inside me, which made it very difficult to make decisions or opinions. I think that most of those people got to play a role in the album. Gosh, it was fulfilling. I’m very excited about the next one.

"multi-layered music that serves a holy purpose of vulnerability”
–AAA Backstage

credits

released June 20, 2018

special thanks:

to Alice Chance for your unwavering love and support, and for teaching me to be playful and to nurture my insides

to Clancy Baxter for being a fierce friend and a fount of information, inspiration and stimulation

to Dan Rooney and Nic Dullow for putting in hours of work to make these songs happen live and for putting up with me at my most finnicky

to Alex Jasprizza and Gordon Li for going out of their way to help me interstate

to the Capital Arts Patrons' Organisation (CAPO) for selecting me for their McGrath (Woden) Emerging Artist Award which went toward printing CDs

also thanks to Shannen, Pippa, Max, Mum, Dad, Jess, Ena, Sid, Alex, Heti, Silly, Jeremy, Grace, Victoria, Veronica, AJ, Marjorie, Amelia, Peter, Markus, Jasper, Sofie, Nic, Goodie, Ben, Gina, Andrew, Billy, Tom, Tom, Sam, Rob, Jacqui, Ruby, Hannes, Max, Marley, Jordan, James, Sophie and everyone else who encouraged me

all parts were written, performed, recorded, produced and mixed by Toby Graham

mastered By Sonic Alchemy

album art by Toby Graham

CDs printed by Implant Media

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Boroky Paris, France

Paris-based Australian singer/songwriter/producer making alt. rock/jazz/hyperpop.

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